Books on architecture pdf

Thank you. Please Note : This list is not the final book list. Other Useful Links. Best Architecture Books Collection. Architectural Technology: Research and Practice. Daylighting: Natural Light in Architecture. So the reader of Ctesibius or Archimedes and the other writers of treatises of the same class will not be able to appreciate them unless he has been trained in these subjects by the philosophers.

Music, also, the architect ought to understand so that he may have knowledge of the canonical and mathematical theory, and besides be able to tune ballistae, catapultae, and scorpiones to the proper key.

For the arms thrust through those stretched strings must, on being let go, strike their blow together at the same moment; but if they are not in unison, they will prevent the course of projectiles from being straight.

These vessels are arranged with a view to musical concords or harmony, and apportioned in the compass of the fourth, the fifth, and the octave, and so on up to the double octave, in such a way that when the voice of an actor falls in unison with any of them its power is increased, and it reaches the ears of the audience with greater clearness and sweetness.

For without these considerations, the healthiness of a dwelling cannot be assured. And as for principles of law, he should know those which are necessary in the case of buildings having party walls, with regard to water dripping from the eaves, and also the laws about drains, windows, and water supply.

And other things of this sort should be known to architects, so that, before they begin upon buildings, they may be careful not to leave disputed points for the householders to settle after the works are finished, and so that in drawing up contracts the interests of both employer and contractor may be wisely safe-guarded. For if a contract is skilfully drawn, each may obtain a release from the other without disadvantage. From astronomy we find the east, west, south, and north, as well as the theory of the heavens, the equinox, solstice, and courses of the stars.

If one has no knowledge of these matters, he will not be able to have any comprehension of the theory of sundials. Consequently, since this study is so vast in extent, embellished and enriched as it is with many different kinds of learning, I think that men have no right to profess themselves architects hastily, without having climbed from boyhood the steps of these studies and thus, nursed by the knowledge of many arts and sciences, having reached the heights of the holy ground of architecture.

But perhaps to the inexperienced it will seem a marvel that human nature can comprehend such a great number of studies and keep them in the memory. Still, the observation that all studies have a common bond of union and intercourse with one another, will lead to the belief that this can easily be realized.

For a liberal education forms, as it were, a single body made up of these members. Those, therefore, who from tender years receive instruction in the various forms of learning, recognize the same stamp on all the arts, and an intercourse between all studies, and so they more readily comprehend them all.

This is what led one of the ancient architects, Pytheos, the celebrated builder of the temple of Minerva at Priene, to say in his Commentaries that an architect ought to be able to accomplish much more in all the arts and sciences than the men who, by their own particular kinds of work and the practice of it, have brought each a single subject to the highest perfection.

But this is in point of fact not realized. For an architect ought not to be and cannot be such a philologian as was Aristarchus, although not illiterate; nor a musician like Aristoxenus, though not absolutely ignorant of music; nor a painter like Apelles, though not unskilful in drawing; nor a sculptor such as was Myron or Polyclitus, though not unacquainted with the plastic art; nor again a physician like Hippocrates, though not ignorant of medicine; nor in the other sciences need he excel in each, though he should not be unskilful in them.

For, in the midst of all this great variety of subjects, an individual cannot attain to perfection in each, because it is scarcely in his power to take in and comprehend the general theories of them. Still, it is not architects alone that cannot in all matters reach perfection, but even men who individually practise specialties in the arts do not all attain to the highest point of merit.

Therefore, if among artists working each in a single field not all, but only a few in an entire generation acquire fame, and that with difficulty, how can an architect, who has to be skilful in many arts, accomplish not merely the feat—in itself a great marvel—of being deficient in none of them, but also that of surpassing all those artists who have devoted themselves with unremitting industry to single fields?

It appears, then, that Pytheos made a mistake by not observing that the arts are each composed of two things, the actual work and the theory of it.

One of these, the doing of the work, is proper to men trained in the individual subject, while the other, the theory, is common to all scholars: for example, to physicians and musicians the rhythmical beat of the pulse and its metrical movement.

But if there is a wound to be healed or a sick man to be saved from danger, the musician will not call, for the business will be appropriate to the physician. So in the case of a musical instrument, not the physician but the musician will be the man to tune it so that the ears may find their due pleasure in its strains.

It appears, therefore, that he has done enough and to spare who in each subject possesses a fairly good knowledge of those parts, with their principles, which are indispensable for architecture, so that if he is required to pass judgement and to express approval in the case of those things or arts, he may not be found wanting.

As for men upon whom nature has bestowed so much ingenuity, acuteness, and memory that they are able to have a thorough knowledge of geometry, astronomy, music, and the other arts, they go beyond the functions of architects and become pure mathematicians.

Hence they can readily take up positions against those arts because many are the artistic weapons with which they are armed. Such men, however, are rarely found, but there have been such at times; for example, Aristarchus of Samos, Philolaus and Archytas of Tarentum, Apollonius of Perga, Eratosthenes of Cyrene, and among Syracusans Archimedes and Scopinas, who through mathematics and natural philosophy discovered, expounded, and left to posterity many things in connexion with mechanics and with sundials.

Since, therefore, the possession of such talents due to natural capacity is not vouchsafed at random to entire nations, but only to a few great men; since, moreover, the function of the architect requires a training in all the departments of learning; and finally, since reason, on account of the wide extent of the subject, concedes that he may possess not the highest but not even necessarily a moderate knowledge of the subjects of study, I request, Caesar, both of you and of those who may read the said books, that if anything is set forth with too little regard for grammatical rule, it may be pardoned.

Still, as regards the efficacy of the art and the theories of it, I promise and expect that in these volumes I shall undoubtedly show myself of very considerable importance not only to builders but also to all scholars.

Order gives due measure to the members of a work considered separately, and symmetrical agreement to the proportions of the whole. By this I mean the selection of modules from the members of the work itself and, starting from these individual parts of members, constructing the whole work to correspond.

Arrangement includes the putting of things in their proper places and the elegance of effect which is due to adjustments appropriate to the character of the work. A groundplan is made by the proper successive use of compasses and rule, through which we get outlines for the plane surfaces of buildings.

An elevation is a picture of the front of a building, set upright and properly drawn in the proportions of the contemplated work. All three come of reflexion and invention. Reflexion is careful and laborious thought, and watchful attention directed to the agreeable effect of one's plan. Invention, on the other hand, is the solving of intricate problems and the discovery of new principles by means of brilliancy and versatility.

These are the departments belonging under Arrangement. Eurythmy is beauty and fitness in the adjustments of the members. This is found when the members of a work are of a height suited to their breadth, of a breadth suited to their length, and, in a word, when they all correspond symmetrically. Symmetry is a proper agreement between the members of the work itself, and relation between the different parts and the whole general scheme, in accordance with a certain part selected as standard.

Thus in the human body there is a kind of symmetrical harmony between forearm, foot, palm, finger, and other small parts; and so it is with perfect buildings.

Propriety is that perfection of style which comes when a work is authoritatively constructed on approved principles. The temples of Minerva, Mars, and Hercules, will be Doric, since the virile strength of these gods makes daintiness entirely inappropriate to their houses. In temples to Venus, Flora, Proserpine, Spring- Water, and the Nymphs, the Corinthian order will be found to have peculiar significance, because these are delicate divinities and so its rather slender outlines, its flowers, leaves, and ornamental volutes will lend propriety where it is due.

The construction of temples of the Ionic order to Juno, Diana, Father Bacchus, and the other gods of that kind, will be in keeping with the middle position which they hold; for the building of such will be an appropriate combination of the severity of the Doric and the delicacy of the Corinthian.

Propriety arises from usage when buildings having magnificent interiors are provided with elegant entrance-courts to correspond; for there will be no propriety in the spectacle of an elegant interior approached by a low, mean entrance. Or, if dentils be carved in the cornice of the Doric entablature or triglyphs represented in the Ionic entablature over the cushion- shaped capitals of the columns, the effect will be spoilt by the transfer of the peculiarities of the one order of building to the other, the usage in each class having been fixed long ago.

Finally, propriety will be due to natural causes if, for example, in the case of all sacred precincts we select very healthy neighbourhoods with suitable springs of water in the places where the fanes are to be built, particularly in the case of those to Aesculapius and to Health, gods by whose healing powers great numbers of the sick are apparently cured.

The result will be that the divinity will stand in higher esteem and find his dignity increased, all owing to the nature of his site.

There will also be natural propriety in using an eastern light for bedrooms and libraries, a western light in winter for baths and winter apartments, and a northern light for picture galleries and other places in which a steady light is needed; for that quarter of the sky grows neither light nor dark with the course of the sun, but remains steady and unshifting all day long.

Economy denotes the proper management of materials and of site, as well as a thrifty balancing of cost and common sense in the construction of works. This will be observed if, in the first place, the architect does not demand things which cannot be found or made ready without great expense.

For example: it is not everywhere that there is plenty of pitsand, rubble, fir, clear fir, and marble, since they are produced in different places and to assemble them is difficult and costly. Where there is no pitsand, we must use the kinds washed up by rivers or by the sea; the lack of fir and clear fir may be evaded by using cypress, poplar, elm, or pine; and other problems we must solve in similar ways.

A second stage in Economy is reached when we have to plan the different kinds of dwellings suitable for ordinary householders, for great wealth, or for the high position of the statesman. There are three departments of architecture: the art of building, the making of timepieces, and the construction of machinery.

Building is, in its turn, divided into two parts, of which the first is the construction of fortified towns and of works for general use in public places, and the second is the putting up of structures for private individuals. There are three classes of public buildings: the first for defensive, the second for religious, and the third for utilitarian purposes. Under defence comes the planning of walls, towers, and gates, permanent devices for resistance against hostile attacks; under religion, the erection of fanes and temples to the immortal gods; under utility, the provision of meeting places for public use, such as harbours, markets, colonnades, baths, theatres, promenades, and all other similar arrangements in public places.

All these must be built with due reference to durability, convenience, and beauty. For fortified towns the following general principles are to be observed. First comes the choice of a very healthy site.

Such a site will be high, neither misty nor frosty, and in a climate neither hot nor cold, but temperate; further, without marshes in the neighbourhood. For when the morning breezes blow toward the town at sunrise, if they bring with them mists from marshes and, mingled with the mist, the poisonous breath of the creatures of the marshes to be wafted into the bodies of the inhabitants, they will make the site unhealthy.

Again, if the town is on the coast with a southern or western exposure, it will not be healthy, because in summer the southern sky grows hot at sunrise and is fiery at noon, while a western exposure grows warm after sunrise, is hot at noon, and at evening all aglow. These variations in heat and the subsequent cooling off are harmful to the people living on such sites.

The same conclusion may be reached in the case of inanimate things. For instance, nobody draws the light for covered wine rooms from the south or west, but rather from the north, since that quarter is never subject to change but is always constant and unshifting. For heat is a universal solvent, melting out of things their power of resistance, and sucking away and removing their natural strength with its fiery exhalations so that they grow soft, and hence weak, under its glow.

We see this in the case of iron which, however hard it may naturally be, yet when heated thoroughly in a furnace fire can be easily worked into any kind of shape, and still, if cooled while it is soft and white hot, it hardens again with a mere dip into cold water and takes on its former quality.

We may also recognize the truth of this from the fact that in summer the heat makes everybody weak, not only in unhealthy but even in healthy places, and that in winter even the most unhealthy districts are much healthier because they are given a solidity by the cooling off.

Similarly, persons removed from cold countries to hot cannot endure it but waste away; whereas those who pass from hot places to the cold regions of the north, not only do not suffer in health from the change of residence but even gain by it. It appears, then, that in founding towns we must beware of districts from which hot winds can spread abroad over the inhabitants.

This defect may be due to violent heat from certain quarters of the sky, pouring into the open pores in too great proportion to admit of a mixture suited to the natural temperament of the body in question.

Again, if too much moisture enters the channels of a body, and thus introduces disproportion, the other elements, adulterated by the liquid, are impaired, and the virtues of the mixture dissolved. This defect, in turn, may arise from the cooling properties of moist winds and breezes blowing upon the body.

In the same way, increase or diminution of the proportion of air or of the earthy which is natural to the body may enfeeble the other elements; the predominance of the earthy being due to overmuch food, that of air to a heavy atmosphere. If one wishes a more accurate understanding of all this, he need only consider and observe the natures of birds, fishes, and land animals, and he will thus come to reflect upon distinctions of temperament.

One form of mixture is proper to birds, another to fishes, and a far different form to land animals. Winged creatures have less of the earthy, less moisture, heat in moderation, air in large amount. Being made up, therefore, of the lighter elements, they can more readily soar away into the air. Fish, with their aquatic nature, being moderately supplied with heat and made up in great part of air and the earthy, with as little of moisture as possible, can more easily exist in moisture for the very reason that they have less of it than of the other elements in their bodies; and so, when they are drawn to land, they leave life and water at the same moment.

Therefore, if all this is as we have explained, our reason showing us that the bodies of animals are made up of the elements, and these bodies, as we believe, giving way and breaking up as a result of excess or deficiency in this or that element, we cannot but believe that we must take great care to select a very temperate climate for the site of our city, since healthfulness is, as we have said, the first requisite.

I cannot too strongly insist upon the need of a return to the method of old times. Our ancestors, when about to build a town or an army post, sacrificed some of the cattle that were wont to feed on the site proposed and examined their livers.

If the livers of the first victims were dark-coloured or abnormal, they sacrificed others, to see whether the fault was due to disease or their food. They never began to build defensive works in a place until after they had made many such trials and satisfied themselves that good water and food had made the liver sound and firm. If they continued to find it abnormal, they argued from this that the food and water supply found in such a place would be just as unhealthy for man, and so they moved away and changed to another neighbourhood, healthfulness being their chief object.

That pasturage and food may indicate the healthful qualities of a site is a fact which can be observed and investigated in the case of certain pastures in Crete, on each side of the river Pothereus, which separates the two Cretan states of Gnosus and Gortyna. On investigating the subject, physicians discovered on this side a kind of herb which the cattle chew and thus make their spleen small.

The herb is therefore gathered and used as a medicine for the cure of splenetic people. From food and water, then, we may learn whether sites are naturally unhealthy or healthy.

If the walled town is built among the marshes themselves, provided they are by the sea, with a northern or north-eastern exposure, and are above the level of the seashore, the site will be reasonable enough. For ditches can be dug to let out the water to the shore, and also in times of storms the sea swells and comes backing up into the marshes, where its bitter blend prevents the reproductions of the usual marsh creatures, while any that swim down from the higher levels to the shore are killed at once by the saltness to which they are unused.

An instance of this may be found in the Gallic marshes surrounding Altino, Ravenna, Aquileia, and other towns in places of the kind, close by marshes. They are marvellously healthy, for the reasons which I have given. But marshes that are stagnant and have no outlets either by rivers or ditches, like the Pomptine marshes, merely putrefy as they stand, emitting heavy, unhealthy vapours.

A case of a town built in such a spot was Old Salpia in Apulia, founded by Diomede on his way back from Troy, or, according to some writers, by Elpias of Rhodes. Year after year there was sickness, until finally the suffering inhabitants came with a public petition to Marcus Hostilius and got him to agree to seek and find them a proper place to which to remove their city.

He constructed the walls and laid out the house lots, granting one to each citizen for a mere trifle. This done, he cut an opening from a lake into the sea, and thus made of the lake a harbour for the town. The result is that now the people of Salpia live on a healthy site and at a distance of only four miles from the old town.

After insuring on these principles the healthfulness of the future city, and selecting a neighbourhood that can supply plenty of food stuffs to maintain the community, with good roads or else convenient rivers or seaports affording easy means of transport to the city, the next thing to do is to lay the foundations for the towers and walls. Dig down to solid bottom, if it can be found, and lay them therein, going as deep as the magnitude of the proposed work seems to require.

They should be much thicker than the part of the walls that will appear above ground, and their structure should be as solid as it can possibly be laid. The towers must be projected beyond the line of wall, so that an enemy wishing to approach the wall to carry it by assault may be exposed to the fire of missiles on his open flank from the towers on his right and left.

Special pains should be taken that there be no easy avenue by which to storm the wall. Towns should be laid out not as an exact square nor with salient angles, but in circular form, to give a view of the enemy from many points. Defence is difficult where there are salient angles, because the angle protects the enemy rather than the inhabitants. The thickness of the wall should, in my opinion, be such that armed men meeting on top of it may pass one another without interference.

In the thickness there should be set a very close succession of ties made of charred olive wood, binding the two faces of the wall together like pins, to give it lasting endurance. For that is a material which neither decay, nor the weather, nor time can harm, but even though buried in the earth or set in the water it keeps sound and useful forever. And so not only city walls but substructures in general and all walls that require a thickness like that of a city wall, will be long in falling to decay if tied in this manner.

The towers should be set at intervals of not more than a bowshot apart, so that in case of an assault upon any one of them, the enemy may be repulsed with scorpiones and other means of hurling missiles from the towers to the right and left. Opposite the inner side of every tower the wall should be interrupted for a space the width of the tower, and have only a wooden flooring across, leading to the interior of the tower but not firmly nailed.

This is to be cut away by the defenders in case the enemy gets possession of any portion of the wall; and if the work is quickly done, the enemy will not be able to make his way to the other towers and the rest of the wall unless he is ready to face a fall.

The towers themselves must be either round or polygonal. Square towers are sooner shattered by military engines, for the battering rams pound their angles to pieces; but in the case of round towers they can do no harm, being engaged, as it were, in driving wedges to their centre. The system of fortification by wall and towers may be made safest by the addition of earthen ramparts, for neither rams, nor mining, nor other engineering devices can do them any harm.

The rampart form of defence, however, is not required in all places, but only where outside the wall there is high ground from which an assault on the fortifications may be made over a level space lying between.

In places of this kind we must first make very wide, deep ditches; next sink foundations for a wall in the bed of the ditch and build them thick enough to support an earth-work with ease. Having laid these two foundations at this distance from one another, build cross walls between them, uniting the outer and inner foundation, in a comb-like arrangement, set like the teeth of a saw. With this form of construction, the enormous burden of earth will be distributed into small bodies, and will not lie with all its weight in one crushing mass so as to thrust out the substructures.

With regard to the material of which the actual wall should be constructed or finished, there can be no definite prescription, because we cannot obtain in all places the supplies that we desire. Dimension stone, flint, rubble, burnt or unburnt brick,— use them as you find them. For it is not every neighbourhood or particular locality that can have a wall built of burnt brick like that at Babylon, where there was plenty of asphalt to take the place of lime and sand, and yet possibly each may be provided with materials of equal usefulness so that out of them a faultless wall may be built to last forever.

The town being fortified, the next step is the apportionment of house lots within the wall and the laying out of streets and alleys with regard to climatic conditions. They will be properly laid out if foresight is employed to exclude the winds from the alleys.

Cold winds are disagreeable, hot winds enervating, moist winds unhealthy. For example, Mytilene in the island of Lesbos is a town built with magnificence and good taste, but its position shows a lack of foresight. In that community when the wind is south, the people fall ill; when it is northwest, it sets them coughing; with a north wind they do indeed recover but cannot stand about in the alleys and streets, owing to the severe cold. Wind is a flowing wave of air, moving hither and thither indefinitely.

It is produced when heat meets moisture, the rush of heat generating a mighty current of air. That this is the fact we may learn from bronze eolipiles, and thus by means of a scientific invention discover a divine truth lurking in the laws of the heavens. Eolipiles are hollow bronze balls, with a very small opening through which water is poured into them. Set before a fire, not a breath issues from them before they get warm; but as soon as they begin to boil, out comes a strong blast due to the fire.

Thus from this slight and very short experiment we may understand and judge of the mighty and wonderful laws of the heavens and the nature of winds. By shutting out the winds from our dwellings, therefore, we shall not only make the place healthful for people who are well, but also in the case of diseases due perhaps to unfavourable situations elsewhere, the patients, who in other healthy places might be cured by a different form of treatment, will here be more quickly cured by the mildness that comes from the shutting out of the winds.

The diseases which are hard to cure in neighbourhoods such as those to which I have referred above are catarrh, hoarseness, coughs, pleurisy, consumption, spitting of blood, and all others that are cured not by lowering the system but by building it up.

On the other hand, a mild, thick air, without draughts and not constantly blowing back and forth, builds up their frames by its unwavering steadiness, and so strengthens and restores people who are afflicted with these diseases. Some have held that there are only four winds: Solanus from due east; Auster from the south; Favonius from due west; Septentrio from the north. But more careful investigators tell us that there are eight. Chief among such was Andronicus of Cyrrhus who in proof built the marble octagonal tower in Athens.

On the several sides of the octagon he executed reliefs representing the several winds, each facing the point from which it blows; and on top of the tower he set a conical shaped piece of marble and on this a bronze Triton with a rod outstretched in its right hand. It was so contrived as to go round with the wind, always stopping to face the breeze and holding its rod as a pointer directly over the representation of the wind that was blowing.

Such, then, appears to have been his device, including the numbers and names of the wind and indicating the directions from which particular winds blow. These facts being thus determined, to find the directions and quarters of the winds your method of procedure should be as follows. In the middle of the city place a marble amussium, laying it true by the level, or else let the spot be made so true by means of rule and level that no amussium is necessary.

At about the fifth hour in the morning, take the end of the shadow cast by this gnomon, and mark it with a point. Then, opening your compasses to this point which marks the length of the gnomon's shadow, describe a circle from the centre.

In the afternoon watch the shadow of your gnomon as it lengthens, and when it once more touches the circumference of this circle and the shadow in the afternoon is equal in length to that of the morning, mark it with a point. From these two points describe with your compasses intersecting arcs, and through their intersection and the centre let a line be drawn to the circumference of the circle to give us the quarters of south and north.

Then, using a sixteenth part of the entire circumference of the circle as a diameter, describe a circle with its centre on the line to the south, at the point where it crosses the circumference, and put points to the right and left on the circumference on the south side, repeating the process on the north side. From the four points thus obtained draw lines intersecting the centre from one side of the circumference to the other. Thus we shall have an eighth part of the circumference set out for Auster and another for Septentrio.

The rest of the entire circumference is then to be divided into three equal parts on each side, and thus we have designed a figure equally apportioned among the eight winds. Then let the directions of your streets and alleys be laid down on the lines of division between the quarters of two winds.

On this principle of arrangement the disagreeable force of the winds will be shut out from dwellings and lines of houses. For if the streets run full in the face of the winds, their constant blasts rushing in from the open country, and then confined by narrow alleys, will sweep through them with great violence. Those who know names for very many winds will perhaps be surprised at our setting forth that there are only eight. Remembering, however, that Eratosthenes of Cyrene, employing mathematical theories and geometrical methods, discovered from the course of the sun, the shadows cast by an equinoctial gnomon, and the inclination of the heaven that the circumference of the earth is two hundred and fifty-two thousand stadia, that is, thirty-one one million five hundred thousand paces, and observing that an eighth part of this, occupied by a wind, is three million nine hundred and thirty- seven thousand five hundred paces, they should not be surprised to find that a single wind, ranging over so wide a field, is subject to shifts this way and that, leading to a variety of breezes.

So we often have Leuconotus and Altanus blowing respectively to the right and left of Auster; Libonotus and Subvesperus to the right and left of Africus; Argestes, and at certain periods the Etesiae, on either side of Favonius; Circias and Corus on the sides of Caurus; Thracias and Gallicus on either side of Septentrio; Supernas and Caecias to the right and left of Aquilo; Carbas, and at a certain period the Ornithiae, on either side of Solanus; while Eurocircias and Volturnus blow on the flanks of Eurus which is between them.

There are also many other names for winds derived from localities or from the squalls which sweep from rivers or down mountains. Some people do indeed say that Eratosthenes could not have inferred the true measure of the earth.

Whether true or untrue, it cannot affect the truth of what I have written on the fixing of the quarters from which the different winds blow. If he was wrong, the only result will be that the individual winds may blow, not with the scope expected from his measurement, but with powers either more or less widely extended.

Let A be the centre of a plane surface, and B the point to which the shadow of the gnomon reaches in the morning. Taking A as the centre, open the compasses to the point B, which marks the shadow, and describe a circle. Put the gnomon back where it was before and wait for the shadow to lessen and grow again until in the afternoon it is equal to its length in the morning, touching the circumference at the point C.

Then from the points B and C describe with the compasses two arcs intersecting at D. Next draw a line from the point of intersection D through the centre of the circle to the circumference and call it E F. This line will show where the south and north lie. Likewise on the north side, centre the compasses on the circumference at the point F on the line to the north, and set off the points I and K to the right and left; then draw lines through the centre from G to K and from H to I.

The rest of the circumference is to be divided equally into three parts on the right and three on the left, those to the east at the points L and M, those to the west at the points N and O. Finally, intersecting lines are to be drawn from M to O and from L to N. Thus we shall have the circumference divided into eight equal spaces for the winds. This done, apply a gnomon to these eight divisions and thus fix the directions of the different alleys.

If the city is on the sea, we should choose ground close to the harbour as the place where the forum is to be built; but if inland, in the middle of the town.

For the temples, the sites for those of the gods under whose particular protection the state is thought to rest and for Jupiter, Juno, and Minerva, should be on the very highest point commanding a view of the greater part of the city. Mercury should be in the forum, or, like Isis and Serapis, in the emporium: Apollo and Father Bacchus near the theatre: Hercules at the circus in communities which have no gymnasia nor amphitheatres; Mars outside the city but at the training ground, and so Venus, but at the harbour.

It is moreover shown by the Etruscan diviners in treatises on their science that the fanes of Venus, Vulcan, and Mars should be situated outside the walls, in order that the young men and married women may not become habituated in the city to the temptations incident to the worship of Venus, and that buildings may be free from the terror of fires through the religious rites and sacrifices which call the power of Vulcan beyond the walls. As for Mars, when that divinity is enshrined outside the walls, the citizens will never take up arms against each other, and he will defend the city from its enemies and save it from danger in war.

Ceres also should be outside the city in a place to which people need never go except for the purpose of sacrifice. That place should be under the protection of religion, purity, and good morals. Proper sites should be set apart for the precincts of the other gods according to the nature of the sacrifices offered to them.

The principle governing the actual construction of temples and their symmetry I shall explain in my third and fourth books. In the second I have thought it best to give an account of the materials used in buildings with their good qualities and advantages, and then in the succeeding books to describe and explain the proportions of buildings, their arrangements, and the different forms of symmetry. Dinocrates, an architect who was full of confidence in his own ideas and skill, set out from Macedonia, in the reign of Alexander, to go to the army, being eager to win the approbation of the king.

He took with him from his country letters from relatives and friends to the principal military men and officers of the court, in order to gain access to them more readily.

Being politely received by them, he asked to be presented to Alexander as soon as possible. They promised, but were rather slow, waiting for a suitable opportunity. So Dinocrates, thinking that they were playing with him, had recourse to his own efforts. To continue enriching our digital library with interesting information, we have built a selection of free books on architecture.

Each text chosen is in PDF format for better content management, and has relevant data on the subject. The definition of architecture says that it consists of the technique of creating, designing and erecting buildings that act as a habitat for man. These buildings can be homes, offices, recreation or memorial sites. On the other hand, it can be pointed out that architecture is in charge of changing and modifying the physical environment to meet the needs of people.

The architecture professionals besides developing constructions according to their utility and form, are also governed by aesthetics. It is due to all this, that architecture is considered as one of the fine arts. According to various criteria such as its function or objective, Architecture has various classifications, but in global terms its purpose is to create new constructions under criteria of beauty.

Our list of architecture books is composed of more than 40 texts in PDF format in which you can enjoy a wide and interesting content. We must also point out that each one of the chosen texts is in the public domain or has been assigned for free publication and distribution. The value of the riches provided by nature is more and more invaluable, therefore the individual is constantly concerned with implementing strategies to contribute to the recovery of the ecosystem and its useful use.

This situation also influences the profession of outlining, designing and constructing buildings and public spaces, which is why experts must estimate a sustainable architectural design mode, based on optimizing natural resources and building systems, with the aim of minimizing ecological impact.

Based on this, we present a selection of materials in PDF format from Sustainable Architecture books, whose content offers the necessary notions to draw ideas based on the analysis of the life cycle of materials, energy use, recycling of waste, among others; and to promote the preservation of the environment. In order to build a building, it is necessary to carry out a study of the area in which the structure will be raised, and equally it is necessary to take into account the climatic conditions, taking advantage of the resources that nature offers: sun, vegetation, rain and air.

In this sense we present you the books and materials of Bioclimatic Architecture in PDF format, being considered as the art of designing buildings based on the atmospheric situation that surrounds them, with the objective of constructing a building that is beneficial to diminish the environmental impact, and to satisfy the needs of its future residents.

The literature presented in these texts will provide you with the necessary guidance so that you know what to take into account before starting the construction of a building, such as: soil conditions, orientation of the house, ventilation system, among others.

The quality of interior design has become a trend that has reached a strong impact in different areas. Currently, the concern for exhibiting the elementary forms of geometry in its maximum expression has become the choice of many experts.

Before building spaces with this type of style, it is important to take a look at the books on Minimalist Architecture , which is distinguished by the motto of doing more with fewer elements, where the search to preserve areas by accentuating their structural forms prevails over filling them with non-useful accessories.